Skip to content. | Skip to navigation

forum::für::umläute nicole pruckermayr & IOhannes m zmölnig

Sections
Personal tools
You are here: Home Members IOhannes m zmölnig Dissertation literature bibliography
Document Actions

bibliography

This folder holds the following references to publications, sorted by year and author.

There are 469 references in this bibliography folder.

Select bibliography style: 

Pedersen B, and Ellermeier W (2005).
Temporal and spectral interaction in loudness perception.
J. Acoust. Soc. Am., 117:2397-2397.

Pouliot M, and Grondin S (2005).
A response-time approach for estimating sensitivity to auditory tempo changes.
Music Perception, 22(3):389-399.

Rohrhuber J, de Campo A, and Wieser R (2005).
Algorithms today - notes on language design for just in time programming.
In: Proceedings of the International Computer Music Conference, Barcelona.

Schnell N, and Schwarz D (2005).
Gabor, Multi-Representation Real-Time Analysis/Synthesis.
In: COST-G6 Conference on Digital Audio Effects (DAFx), pp. 122-126, Madrid.

Schnell N, Borghesi R, Schwarz D, Bevilacqua F, and Müller R (2005).
FTM — Complex data structures for Max.
In: Proc. of the ICMC, ICMA, Barcelona.

Snyder JS, Hannon EE, Large EW, and Christiansen MH (2005).
Synchronization and continuation tapping to complex meters.
In: Rhythm Perception and Production Workshop (RPPW10), Rijkhoven-Bilzen, Belgium.

Soraghan C, Ward T, Villing R, and Timoney J (2005).
Perceptual centre correlates in evoked potentials.
In: 3rd European Medical and Biological Engineering Conference (EMBEC 05).

Sorensen A (2005).
Impromptu: an interactive programming environment for composition and performance.
In: Proceedings of the Australasian Computer Music Conference, pp. 149-153.

Thaut M (2005).
Rhythm, Music, and the Brain.
Routledge, New York.

Trogemann G, and Viehoff J (2005).
CodeArt - Eine elementare Einführung in die Programmierung als künstlerische Praxis.
Springer, Wien. (ISBN: 3211204385).

Witten IH, and Frank E (2005).
Data Mining: Practical Machine Learning Tools and Techniques.
Morgan Kaufmann Publishers, 2nd ed.

Wolf H, Roock S, and Lippert M (2005).
eXtreme Programming .
dpunkt.verlag, Heidelberg, 2nd ed.

(2004-2007).
TOPLAP mailing list archives.
Webpublished.

Alexander A (2004).
Live coding is not synaesthesia.
Webpublished, http://www.toplap.org/index.php/LivecodingIsNotSynaesthesia.

Alonso M, David B, and Richard G (2004).
Tempo and beat estimation of musical signals.
In: Proc. Int. Symp. on Music Information Retrieval.

Beamish T, Maclean K, and Fels S (2004).
Manipulating music: multimodal interaction for DJs.
In: Proceedings of CHI'04, pp. 327–334.

Bello JP, Daudet L, Abdallah S, Duxbury C, Davies M, and Sandler SB (2004).
A tutorial on onset detection in music signals.
IEEE Transactions on Speech and Audio Processing.

Brossier P, Bello JP, and Plumbley MD (2004).
Real-time temporal segmentation of note objects in music signals.
In: Proc. Int. Computer Music Conference.

Brown JC, and Smaragdis P (2004).
Independent component analysis for automatic note extraction from musical trills.
J. Acoust. Soc. Am., 115(5):2295-2306.

Burnett M, Cook C, and Rothermel G (2004).
End-user software engineering.
Communications of the ACM, 47(9):53–58.

Collins N (2004).
Some thoughts (on live coding).
Webpublished, http://www.toplap.org/index.php/Some_thoughts.

Collins N (2004).
Beat induction and rhythm analysis for live audio processing: 1st year PhD report.
University of Cambridge, Technical report.

Collins N (2004).
On onsets on-the-fly: Real-time event segmentation and categorisation as a compositional effect.
In: Sound and Music Computing (SMC04), pp. 219-224, Paris, IRCAM.

de Campo A, and Rohrhuber J (2004).
else if – Live Coding, Strategien später Entscheidung.
In: Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft, ed. by Monika Fleischmann, Ulrike Reinhard. whois verlagsundvertriebsgesellschaft, Heidelberg, chap. ??, pp. ??.

Derrett N (2004).
Heckel's law: conclusions from the user interface design of a music appliance—the bassoon.
Personal and Ubiquitous Computing, 8(3-4):208–212.

 

Powered by Plone , Apache , Debian and algo.mur.at