Hansen KF (2002).
The basics of scratching.
Journal of New Music Research, 31(4).

Henry D (2002).
pd-msg tutorial.
Webpublished, https://pure-data.svn.sourceforge.net/svnroot/pure-data/trunk/doc/additional/pd-msg.

Jehan T, Machover T, and Fabio M (2002).
Sparkler: An audio-driven interactive live computer performance for symphony orchestra.
In: Proc. Int. Computer Music Conference, Gothenborg, Sweden.

Kogawa T (2002).
Natural Radia.
Webpublished, http://anarchy.translocal.jp/radio/radioparty/20020407orf.html.

Marolt M, Kavcic A, and Privosnik M (2002).
Neural networks for note onset detection in piano music.
In: Proc. Int. Computer Music Conference, Gothenborg, Sweden.

Matsuda S, Miyama C, Ando D, and Rai T (2002).
DIPS for Linux and Mac OS X.
In: Proceedings of the International Computer Music Conference, pp. 317–320, International Computer Music Association.

Matthes O (2002).
pdogg - a collection of ogg/vorbis externals for pd.
Webpublished, http://pure-data.svn.sourceforge.net/viewvc/pure-data/trunk/externals/pdogg/.

McCartney J (2002).
Rethinking the computer music language: SuperCollider.
Computer Music Journal, 26(4):61–68.

Myers BA (2002).
Towards more natural functional programming languages.
In: Proceedings of the seventh ACM SIGPLAN international conference on Functional programming, pp. 1.

Neill B (2002).
Pleasure beats: Rhythm and the aesthetics of current electronic music.
Leonardo Music Journal, 12.

Noble J, and Biddle R (2002).
Notes on postmodern programming.
In: Proceedings of the ACM conference on Object-Oriented Programming, Systems, Languages and Applications (OOPSLA), pp. 49–71.

Opitz B, Rinne T, Mecklinger A, von Cramon DY, and Schröger E (2002).
Differential contribution of frontal and temporal cortices to autitory change detection: fMRI and ERP results.
NeuroImage, 15:167-174.

Pardo B, and Birmingham W (2002).
Improved score following for acoustic performances.
In: Proc. Int. Computer Music Conference, Gothenborg, Sweden.

Pearce M, Meredith D, and Wiggins G (2002).
Motivations and methodologies for automation of the compositional process.
Musicae Scientiae, 6(2).

Peeters G, and Rodet X (2002).
Automatically selecting signal descriptors for sound classification.
In: Proc. Int. Computer Music Conference.

Polk TA, Stallcup M, Aguirre GK, Alsop DC, D'Esposito M, Detre JA, and Farah MJ (2002).
Neural specialization for letter recognition.
Journal of Cognitive Neuroscience, 14(2):145--159.

Puckette MS (2002).
Using Pd as a score language.
In: Proceedings of the ICMC, pp. 184-187, Gothenburg, ICMA.

Puckette MS (2002).
Max at seventeen.
Computer Music Journal, 26(4):31-43.

Reich S (2002).
Writings on Music 1965-2000.
Oxford University Press, New York.

Rodden K, and Blackwell AF (2002).
Class libraries: A challenge for programming usability research.
In: Proceedings of PPIG 2002, pp. 186–195.

Rodet X (2002).
Synthesis and processing of the singing voice.
In: Proc. 1st IEEE Benelux Workshop on Model based Processing and Coding of Audio (MPCA-2002), Leuven, Belgium.

Saitou T, Unoki M, and Akagi M (2002).
Extraction of f0 dynamic characteristics and development of f0 control model in singing voice.
In: Proc. of the 2002 Int. Conf. on Auditory Display, Kyoto, Japan.

Temperley D, and Bartlette C (2002).
Parallelism as a Factor in Metrical Analysis.
Music Perception, 20(2):117-149.

Truong B (2002).
Trancendence: An artificial life approach to the synthesis of music.
Master thesis, School of Cognitive and Computing Sciences, University of Sussex.

Xiang P (2002).
A new scheme for real-time loop music production based on granular similarity and probability control.
In: Proc. Digital Audio Effects Workshop (DAFx), Hamburg, Germany.